# SOURCE: https://mds.isseymiyake.com/im/en/  (ISSEY MIYAKE INC. 官方页 "The Concepts and Work of Issey Miyake")
# fetched=2026-09-11 via Z.ai webReader（一级来源：品牌官方）
# 用途：引文一级来源补证 + PROFILE 事实核验（零解读宪法）
# 关键第一方表述（摘录）：
# 1) "I believe there is Hope in Design. / Design evokes Surprise and Joy in people. — Issey Miyake"（页首署名引文）
# 2) "From the outset, Miyake's essential touchstone has been the concept of making clothing from 'a Piece of Cloth.'
#     His process explores the fundamental relationship between the body, the cloth that covers it, and the space and
#     room that is created between these elements, divesting itself of the labels of 'East' or 'West'."
# 3) "He witnessed the May 1968 riots, an event that inspired a determination to create clothing for
#     'the many rather than for the few'."
# 4) "His studio was driven by a group mentality — the 'we' rather than 'I'"
# 5) "In 1981, he launched the brand Plantation"（与 [TKZ-EN] 1983 说法冲突 → PROFILE 裁决 #13）
# 6) 1965 赴巴黎两时装屋任助理；1969 回日；野口勇两桥 "Ikiru/Shinu"(1952, 后改 "Tsukuru/Yuku")
# 7) A-POC 1998 with Dai Fujiwara；MoMA 收藏 "QUEEN"；MAKING THINGS 1998 巴黎首展（后巡 NY/东京）
# 8) Artforum 1982-02 封面（"the first time clothing had been featured on the cover of an art magazine"）
# 9) 1988 巴黎装饰艺术博物馆 A-ŪN 展 + 褶皱实验开始；1991 Forsythe；1993 PLEATS PLEASE "garment pleating"
# 10) Reality Lab → 132 5. ISSEY MIYAKE (2010) + IN-EI (2012)；2013 青森大学新体操 → HOMME PLISSÉ
# 11) 2018 Domus "Session One"（指令仅一个词 "wild"）；2022 21_21 "Christo and Jeanne-Claude" 展

I believe there is Hope in Design.
Design evokes Surprise and Joy in people.

Issey Miyake

Issey Miyake's approach to manufacturing was always rooted in research and experimentation: to "think outside the box" and not be bound by conventional frameworks. Miyake has fostered new ideas by challenging his staff to think beyond trends; and to look at the needs of society at that moment. Miyake created designs and techniques that will endure to future generations.

[……全文为官方页正文，经由 Z.ai webReader 全文提取；本文件仅存头部关键摘录索引，完整正文见会话记录与原始 URL。以下为正文要点行检索锚点……]

1960 World Design Conference letter; 1963 Toray calendar + "Nuno to ishi no uta" (Poems of cloth and stone); 1965 Paris (Ecole de la Chambre Syndicale de la Couture Parisienne, assistant at two fashion houses); May 1968 riots "the many rather than for the few"; 1969 return to Japan; 1970 Miyake Design Studio + TORAY KNIT EXHIBITION; 1971 New York Collection; 1973 Paris (Didier Grumbach, Andree Putman); "a Piece of Cloth" touchstone + body/cloth/space; 1970s Makiko Minagawa, sashiko + gaiters; 1978 East Meets West (first monograph of a living fashion designer; Ikko Tanaka art director, Kazuko Koike editor); 1980s Body Series (plastic/wire); Artforum Feb 1982 Rattan-vine Body cover; 1981 Plantation launch; 1985 ISSEY MIYAKE PERMANENTE; 1986 Irving Penn collaboration ("A-Un" silent communication; 250+ photographs, 7 books); 1988 A-UN exhibition Musée des Arts Décoratifs + pleats experiments (cut-sew oversized, paper sandwich, heat-press); 1991 Forsythe The Loss of Small Detail; 1993 PLEATS PLEASE "garment pleating"; 1998 A-POC with Dai Fujiwara (single thread, computer-programmed knitting machine; MoMA QUEEN); 1998 MAKING THINGS Paris (NYT 1998-12-27 quote); 1986 Time cover; 1999 Time "Most Influential Asians" Beauty Maker; Le Monde 2 2005-12-10 "not a maison de couture, but a laboratory for development and production, unparalleled in the world"; 2004 Miyake Issey Foundation (public benefit 2011); 2007 21_21 DESIGN SIGHT (Tadao Ando; directors Miyake, Taku Satoh, Naoto Fukasawa, Noriko Kawakami); Reality Lab; 2010 132 5. ISSEY MIYAKE; 2012 IN-EI ISSEY MIYAKE; 2013 Aomori University Men's Rhythmic Gymnastics → HOMME PLISSE ISSEY MIYAKE; 2016 The Work of Miyake Issey (National Art Center); 2018 Domus Session One ("wild"; 12,000 polyester/cotton threads jacquard); 2022 Christo and Jeanne-Claude exhibition at 21_21.