{
  "_readme": "B 层（品牌后继）26 个季夹与克里斯托瓦尔·巴伦西亚加（Cristóbal Balenciaga，1937-1968 本人时期）设计语汇的关联对照表。所有 founder_echo 与 note 均为策展判断（curatorial judgment），非品牌官方表述；引用时请注明。签名元素参照：sack/chemise 直筒、babydoll、empire 线、bracelet sleeve 三分袖、立领、斗篷、cocoon 茧形、gazar 面料、纯黑、西班牙血脉（斗牛士/弗拉明戈/教会元素）、建筑般的剪裁。人类可读版见《B_品牌后继_与克里斯托瓦尔·巴伦西亚加的关联.md》。",
  "founder_signature_elements": ["sack/chemise 直筒", "babydoll", "empire 线", "bracelet sleeve 三分袖", "立领", "斗篷", "cocoon 茧形大衣", "gazar 面料", "纯黑", "西班牙血脉", "建筑般的剪裁"],
  "seasons": [
    {"season": "BALENCIAGA_2000SS", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2000SS", "founder_echo": ["建筑般的剪裁", "sack/chemise 直筒"], "note": "Ghesquière 的成名季：以近乎无装饰的直筒与利落剪裁确立其极简骨架，与本人『做减法』的 chemise 思维同构，只是把高定的严苛换成了未来的利落。"},
    {"season": "BALENCIAGA_2001FW", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2001FW", "founder_echo": ["建筑般的剪裁"], "note": "极简骨架延续并加入更多街头与运动细节；剪裁的严格结构仍是主语，与本人手艺的关联在于『型』而非『装饰』。"},
    {"season": "BALENCIAGA_2002SS", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2002SS", "founder_echo": ["体积与裙摆的雕塑感"], "note": "褶裥扇形裙摆把体积做在贴身的年轻身体上——这是对本人『布料离开身体』的另一种解法，体积相似，穿着逻辑相反（策展判断）。"},
    {"season": "BALENCIAGA_2003SS", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2003SS", "founder_echo": [], "note": "冲浪/水下主题，弹性面料与运动轮廓主导；本季与本人结构语汇距离最远，属于品牌年轻化实验的极端一季。"},
    {"season": "BALENCIAGA_2005FW", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2005FW", "founder_echo": ["sack/chemise 直筒", "建筑般的剪裁"], "note": "机器感缎面柱形裙重新回到『一根立柱』的方案，与本人 chemise/sack 的直筒抽象一脉相承。"},
    {"season": "BALENCIAGA_2006SS", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2006SS", "founder_echo": ["西班牙血脉", "斗篷"], "note": "公主体积与斗牛士/戈雅式的西班牙气质被广泛视为 Ghesquière 对创始人血脉最直白的一次致意（策展判断）。"},
    {"season": "BALENCIAGA_2006FW", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2006FW", "founder_echo": ["立领", "纯黑", "西班牙血脉"], "note": "黑色天鹅绒、高立领与教会式暗色浪漫——把本人黑色西班牙的肃穆转译成 2000s 的暗黑公主。"},
    {"season": "BALENCIAGA_2008SS", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2008SS", "founder_echo": ["sack/chemise 直筒"], "note": "回到极简的希腊式直筒与干净肩线，被认为是最接近『本人式』克制的一季之一（策展判断）。"},
    {"season": "BALENCIAGA_2008FW", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2008FW", "founder_echo": ["建筑般的剪裁"], "note": "马术与军装的结构化外套主导，肩背与下摆的硬结构延续品牌的建筑剪裁传统。"},
    {"season": "BALENCIAGA_2010FW", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2010FW", "founder_echo": ["建筑般的剪裁", "bracelet sleeve 三分袖"], "note": "雕塑感的肩臂处理与紧收的下摆把注意力压回袖与肩——与本人『用袖子平衡体积』的思路同源（策展判断）。"},
    {"season": "BALENCIAGA_2011SS", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2011SS", "founder_echo": ["sack/chemise 直筒"], "note": "克制直筒上做手印花卉的『一次性仪式』，极简骨架仍是底版——装饰臣服于结构，正是本人定下的等级。"},
    {"season": "BALENCIAGA_2013SS", "director": "Nicolas Ghesquière", "path": "02_图片/B_品牌后继/Ghesquiere_时代/BALENCIAGA_2013SS", "founder_echo": ["建筑般的剪裁"], "note": "告别季：白衬衫与精确到苛刻的剪裁被评论界读作向高定手艺的告别信，也是 Ghesquière 十五年『结构精神回归』的收束。"},
    {"season": "BALENCIAGA_2013FW", "director": "Alexander Wang", "path": "02_图片/B_品牌后继/Wang_时代/BALENCIAGA_2013FW", "founder_echo": ["纯黑"], "note": "首秀以黑白运动感极简开场，保留品牌的黑与利落，但重心从建筑廓形移向贴身运动性——与本人语汇的最大公约数只剩『黑』与『少』。"},
    {"season": "BALENCIAGA_2014FW", "director": "Alexander Wang", "path": "02_图片/B_品牌后继/Wang_时代/BALENCIAGA_2014FW", "founder_echo": ["纯黑"], "note": "解构感晚装与运动面料并置；三任总监中与本人结构语汇距离最远的一季，属明确的背离期。"},
    {"season": "BALENCIAGA_2017SS", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2017SS", "founder_echo": [], "note": "首秀把 logo 与街头日常搬进秀场，几乎不与本人对话；但其『重建品牌骨架』的野心为此后向高定回摆埋下伏笔。"},
    {"season": "BALENCIAGA_2017FW", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2017FW", "founder_echo": ["立领", "纯黑", "建筑般的剪裁"], "note": "黑色立领大衣与严肃后背剪裁被评论界普遍拿来与本人的肃穆对照——Demna 时代第一次明确的『向 Master 靠拢』（策展判断）。"},
    {"season": "BALENCIAGA_2019SS", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2019SS", "founder_echo": ["sack/chemise 直筒"], "note": "松垮放大的直筒外套与裙装把『布料离开身体』做成反 anatomical 的日常版——本人 liberating 的初衷被转译成街头尺码。"},
    {"season": "BALENCIAGA_2019FW", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2019FW", "founder_echo": ["建筑般的剪裁"], "note": "80s 式巨型肩线的极致放大：与本人 1951 年『加宽肩、抹掉腰』的轮廓革命形成跨世纪的放大回声（策展判断）。"},
    {"season": "BALENCIAGA_2020SS", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2020SS", "founder_echo": ["纯黑", "建筑般的剪裁"], "note": "收尾的黑色欧根纱晚装以高定仪式感压住全季街头语境——『以晚装收场』本身就是从本人传承的秀制语法。"},
    {"season": "BALENCIAGA_2020FW", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2020FW", "founder_echo": ["建筑般的剪裁", "斗篷"], "note": "盔甲式肩部与仪仗队形编队，把建筑廓形推向防御工事般的尺度，延续并夸张 1951 的肩线革命。"},
    {"season": "BALENCIAGA_2022SS", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2022SS", "founder_echo": [], "note": "喷漆直接成『衣』的收尾是剪裁的极端反题——当布料被漆面替代，它反向证明了本 house 的核心命题始终是『结构与剪裁』。"},
    {"season": "BALENCIAGA_2022FW", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2022FW", "founder_echo": ["cocoon 茧形大衣", "建筑般的剪裁"], "note": "雪地 360° 秀中的巨型羽绒服是本人 cocoon 茧形的防寒化转译：绝对体积、无腰身、护体的建筑（策展判断）。"},
    {"season": "BALENCIAGA_2023SS", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2023SS", "founder_echo": ["建筑般的剪裁", "纯黑"], "note": "泥浆场地上巨型硅胶与填充轮廓——『布料即建筑』被推到废墟语境，是三任总监中最戏剧化的一次与本人语汇的对峙。"},
    {"season": "BALENCIAGA_2023FW", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2023FW", "founder_echo": ["纯黑", "建筑般的剪裁"], "note": "黑色长外套与克制剪裁回归前台，大廓形之下重新强调版型的精确，向高定语汇继续回摆。"},
    {"season": "BALENCIAGA_2024SS", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2024SS", "founder_echo": ["sack/chemise 直筒"], "note": "窄长直筒与低垂肩线的日常化处理，把 chemise 的『不贴身』翻译成当代的松弛（策展判断）。"},
    {"season": "BALENCIAGA_2024FW", "director": "Demna", "path": "02_图片/B_品牌后继/Demna_时代/BALENCIAGA_2024FW", "founder_echo": ["建筑般的剪裁", "斗篷"], "note": "军装大衣与斗篷状体积主导，仪式感与防护性并存，延续品牌『外套即建筑』的路线。"}
  ]
}